Home is a Foreign Place (detail), 1999

Distance

Travels with Rani (detail), 2008
Intaglio on Arches cover buff paper

Travels with Rani (detail), 2008
Woodcut on Okawara paper mounted on Arches cover buff paper

Homes I Made/ A Life in Nine Lines (detail), 1997

Wrapping the Travels, 2009
Woven strips of woodcut prints and computer generated text

Home is a Foreign Place (detail), 1999
Country

Homes I Made/ A Life in Nine Lines (detail), 1997
Bangkok 1958-1961

Zarina Hasmi

Tasbih (Prayer Beads) IV, 2008

Maple wood with gold leaf and leather cord 

Home is a Foreign Place (detail), 1999

"When you see cities through clouds, you see no borders, just an abstract pattern."

Morning, Stillness, "Loo" (hot afternoon wind), Dew, Afternoon, Dawn. 1999.

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Zarina Hashmi

Born 1937

The work of Zarina Hashmi is defined by her adherence to the personal and the elemental. An early exposure to architecture is reflected in her use of geometry and her emphasis on structural purity. While her work reveals a minimalist sensibility, it is imbued with a materiality which mitigates the starkness of her reductive approach. Her art poignantly chronicles her life and recurring themes include home, displacement, borders, journey and memory.

Best known as a printmaker, Hashmi prefers to carve instead of draw the line, to gouge the surface rather than build it up. She has used various mediums of printmaking including intaglio, woodblocks, lithography and silkscreen. She frequently creates series of several prints in order to reference a multiplicity of locales or concepts. For example, her seminal work Home is a Foreign Place consists of 36 woodblock prints, each of which represents a particular notion or memory of home. Each subject is inscribed in Urdu beneath the print to signify the vital role language plays in her work, as well as to pay homage to a mother tongue in decline. Other works such as These cities blotted into the wilderness, Countries, and Dividing Line explore geographical borders and contested terrains, particularly those areas which are scarred from political conflict. Hashmi also creates sculpture using a variety of media, including bronze, steel, aluminum, wood, tin and paper pulp.

Zarina Hashmi was born in 1937 in Aligarh, India. After receiving a degree in mathematics, she went on to study woodblock printing in Bangkok and Tokyo and intaglio with S. W. Hayter at Atelier-17 in Paris. She has participated in numerous exhibitions, including most recently Mind and Matter: Alternative Abstractions from 1940s to Present at the Museum of Modern Art, New York,The Third Mind: American Artists Contemplate Asia 1860-1989 at the Guggenheim Museum, New York, Gouge: The Modern Woodcut at the Hammer Museum, Los Angeles and WACK! Art and the Feminist Revolution a traveling exhibition organized by MOCA, Los Angeles. Her work is in the permanent collections of the Bibliothèque Nationale, Paris, the Victoria & Albert Museum, London, the Hammer Museum, Los Angeles and the Museum of Modern Art, New York. The artist lives and works in New York.

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